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Freud, Ferenczi, and Rosmersholm: Incestuous Triangles and Analytic Thirds

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The American Journal of Psychoanalysis Aims and scope

Abstract

Utilizing a field theory of unconscious communication, and in particular the concept of the analytic third, this paper situates Freud’s interpretation of Ibsen’s 1886 Rosmersholm, presented in the section of his essay “Some Character-Types Met with in Psycho-Analytic Work” (1916) entitled “Those Wrecked by Success,” in the context of his relationship with Ferenczi. Both in his interpretation of Rosmersholm and in his earlier papers on the psychology of love, it is argued, Freud may be seen to commenting both on Ferenczi’s incestuous love triangle with Gizella and Elma Pálos and on his equally incestuous triangle with Martha and Minna Bernays. In a postscript, the challenge offered by Groddeck to Freud’s oedipal reading of Rosmersholm is assessed.

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Notes

  1. Writing to Freud on October 17, 1916, Ferenczi informs him that he and Gizella “had taken a walk in the same area which had been the scene of our union in 1900” (Freud and Ferenczi, 1914–1919, p. 141; see Berman, 2004, p. 493).

  2. In Ferenczi’s published writings, the clearest expression of his erotic conflict, and of its entanglement with his impending analysis with Freud (see Falzeder, 1997), is to be found in the disguised autobiographical case history in “The Dream of the Occlusive Pessary” (1915a), the manuscript of which he sent to Freud on September 8, 1914. Speaking with the voice of the analyst to the patient who is reality himself, Ferenczi interprets the dream in question as deriving from the time “when you felt yourself attracted by no other woman than by your mother”; his split between mother and daughter figures is shown to be represented by a choice between “the woman with the too wide and the bride with the too narrow vagina” (p. 309).

  3. Rosenberg (1978) refers to Ibsen’s heroine, Rebekka West, by using Rebecca, the version found in the English language version of Freud’s works (1916a), although in the original German Freud uses the name Rebekka (Freud, 1916b). I will follow Ibsen and Freud, in their original usage. Groddeck (1910) also refers to her as Rebekka West.

  4. On “dying together” as simultaneously a gratification of, and punishment for, incestuous desires, see Jones (1911).

  5. See, however, the postscript to this paper, where I examine the challenge posed by Georg Groddeck to Freud’s interpretation of Rosmersholm.

  6. In my companion paper (Rudnytsky, 2012) on the infantile determinants of Freud’s affair with Minna Bernays, I have cited the case of Fräulein Elisabeth von R. in the course of tracing a sequence of veiled literary allusions to this relationship in Freud’s writings between 1895 and 1901.

  7. For an extended discussion of Ferenczi’s “infantile thoughts” concerning Freud and Minna, see chapter 2 of my Rescuing Psychoanalysis from Freud (Rudnytsky, 2011). As Peter Swales has suggested to me in a personal communication, it is likely during their trip to Sicily in 1910 that Ferenczi learned from Freud about his sentimental journey with Minna.

  8. I am grateful to Mark F. Poster for reminding me of the presence of Rosmersholm in the Freud-Groddeck correspondence, and to Galina Hristeva for supplying me with the text of Groddeck’s essay on Rebekka West.

  9. Groddeck offers an extended interpretation of Peer Gynt in a 1927 essay, in which he moves beyond the concept of the It to espouse a notion of the self as an even more radical alternative to the ego. On Groddeck’s critique of Freud’s domesticated understanding of the “id,” see my Reading Psychoanalysis (Rudnytsky, 2002, pp. 151–152, pp. 203–204).

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Correspondence to Peter L Rudnytsky.

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A version of this paper was presented at the International Ferenczi Conference, Faces of Trauma, in Budapest, May 31–June 3, 2012.

1Ph.D., L.C.S.W., Professor of English, University of Florida; Florida Psychoanalytic Institute; Corresponding Member, Institute of Contemporary Psychoanalysis, Los Angeles.

Like all the other texts discussed in this paper, “Suggestion and Psychoanalysis” (1912) can be read in the context of Ferenczi’s dialogue with Freud. Its main theme implicitly touches on Ferenczi’s awe of Freud in its description of how suggestion, in contrast to psychoanalysis, “reduces people precisely to the level of a helpless child incapable of contradicting or of independent thought” (p. 56), while their respective romantic triangles are refracted in Ferenczi’s account of the conflict of Ibsen’s heroine, who is “forever tormenting herself with the thought that she does not love her husband”—who happens to be a doctor—and that “her heart still belongs to the adventurer” from the sea (p. 59). In the end, she is freed from her obsessive brooding when the adventurous sailor returns and her husband secures his wife’s heart by magnanimously allowing her to choose freely between them.

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Rudnytsky, P. Freud, Ferenczi, and Rosmersholm: Incestuous Triangles and Analytic Thirds. Am J Psychoanal 73, 323–338 (2013). https://doi.org/10.1057/ajp.2013.22

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