Avtar Brah's cartographies: moment, method, meaning

Abstract

The following draws out a few points that suggest an inner coherence in the midst of the rich diversity of questions Avtar Brah addresses. One critical factor is that Brah's work appears at a specific historical ‘moment’ – a simultaneously political, historical and theoretical conjuncture – the diasporic. The diaspora – as an emergent space and an interpretive frame – unpicks the claims made for the unities of culturally homogeneous, racially purified identities, and constitutes the moment of the problematic of the subject – when critical thought comes face to face with the perplexing interface between the social and the psychic. Brah confronts the necessarily complex and contradictory specificities of differentiated subjectivities in the diasporic frame within a distinct ‘methodology’ – analytic and interpretive. The very structures ‘out there’, which have so often been thought of as determining, are understood as themselves providing frameworks of meaning, as having an internal psychic and discursive dimension. Avtar Brah is one of the few who have begun to capture such a double inscription through ongoing research. Such is particularly evident in ‘The Scent of Memory’, and it is through a reading of that essay that Brah's distinct ‘methodology’ is presented – an approach which is sensitive to the always already contradictory condition of ‘reality’. What I suggest of Brah's ‘methodology’ is that it is a practice that has significant consequences for the meaning and value placed on social contexts, for the ‘presence’ and ‘absence’ of information and knowledge in interpretation and analysis, a practice that we might call diasporic reasoning.