Abstract
This essay asks what kind of trope or rhetorical operation is activated by the call of the ‘post-human’? What modes of inscription does the term deploy? I argue that the ‘post-ing’ of the human proceeds by refiguring of the ‘human’ as telephone or screen, as a surface that registers the action or presencing of the inhuman via an overwhelming apostrophe or prosopopeia. Allied to this call is a refiguring of the ‘post-humanities’ as an inquiry into how the modeling of non-human entities inflects the constitution of a common world, leading us to embark on a quest for less lethal or more friendly modes of inscription or writing. The philosophical movement known as ‘speculative metaphysics’ provides a rubric for this quest and so for a speculative literary history that would refigure our contacts with the textual traces named ‘past’ as a contact zone with alternate ways of being.
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Notes
For an attempt to do this in Renaissance studies, see Yates (2004, 2006).
The text of Gerard's memoir exists now in one manuscript at Stonyhurst College, Lancashire. For the purposes of this short and impressionistic essay I have chosen to use the translation by Philip Caraman (1952) as Gerard's manuscript is not readily available to readers.
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Acknowledgements
Thanks go to Richard Burt with whom the idea for this essay was hatched and honed as part of our ongoing conversation.
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Yates, J. It's (for) you; or, the tele-t/r/opical post-human. Postmedieval 1, 223–234 (2010). https://doi.org/10.1057/pmed.2010.20
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DOI: https://doi.org/10.1057/pmed.2010.20