Abstract
This essay explores the impact on readers of the fact that medieval books are produced in a context involving the systematic exploitation of animals and written on parchment that is made from their skins. Connections sparked between this parchment support and the content of some of the texts copied on it can have uncanny effects, notably that, as skin, it becomes in fantasy a double of the readers’ own skin – for example, as an envelope, or as an opposing face. Texts discussed in this light include the Boucher d’Abbeville, Ysengrimus, and Sedulius Scottus's ‘Gloria nostra redit.’ The suture between the reader's skin and that of the text means that reading is charged with affect, and undermines the categorical demarcation between human beings and other animals insisted on by scholastic philosophy. An ethics of reading is one that responds to this ethos of the medieval page.
Similar content being viewed by others
Notes
All translations are mine, unless otherwise indicated.
I simplify an argument that also drew on other thinkers.
However, claims of the mass slaughter of animals for book-production are overstated; parchment formed part of a complex agricultural economy and was not a luxury or excessive commodity (see Stinson, forthcoming).
All further citations of the fabliau are to this edition, by line number.
The name is surely to be read as a wry comment on the sheep's owner, the priest, who is cuckolded twice over by the butcher with women he ought not to have been sleeping with in the first place. Instead of being a metaphorical shepherd of his flock, he is a horned sheep.
See lines 339, 340, 369, 405, 414, 415, 416, 417, 425, 504, 532, 536 in the Nooman and van de Boogaard edition.
All further citations of Ysengrimus are to this edition, by book and line number.
This concept of surface develops that put forward in Deleuze's earlier Logique du Sens, discussed in relation to medieval reading in Kay (2006).
All citations and translations of the Latin poem ‘Gloria nostra redit’ are from Ziolkowski (1993).
References
Anzieu, D . 1995. Le Moi-peau, 2nd revised and augmented edition. Paris: Dunod.
Augustine . 1991. Confessions, trans. Henry Chadwick. Oxford, UK: Oxford University Press.
Braidotti, R . 2009. Animals, Anomalies, and Inorganic Others. PMLA 124 (2): 526–532.
Bureau, P . 1992. Les valeurs métaphoriques de la peau dans le Roman de Renart: Sens et fonctions. Médiévales 22–23: 129–148.
Camille, M . 1998. Sensations of the Page: Imaging Technologies and Medieval Illuminated Manuscripts. In The Iconic Page in Manuscript, Print and Digital Culture, eds. G. Bornstein and T. Tinkle, 33–53. Ann Arbor, MI: University of Michigan Press.
Dekoven, M . 2009. Guest Column: Why Animals Now? PMLA 124 (2): 361–369.
Delbouille, M ., ed. 1936. Le Jugement d'amour, ou Florence et Blanceflor. Ière version française des débats du clerc et du chevalier. Fin du XIIe – début du XIIIe siècle. Paris: Droz.
Deleuze, G. and F. Guattari . 1980. Mille plateaux, Vol. 2 of Capitalisme et schizophrénie. Paris: Minuit.
Delisle, L . 1866. Rouleaux des morts du IXe au XVe siècle. Paris: Renouard.
Durling, NV . 2004. Birthmarks and Bookmarks: The Example of a Thirteenth-Century French Anthology. Exemplaria 16: 73–94.
Guillaumin, J . 1980. La Peau du centaure, ou le retournement projectif de l’intérieur du corps dans a création littéraire. In Corps Création: Entre Lettres et Psychanalyse, dir. J. Guillaumin, 227–267. Lyon, France: Presses Universitaires.
Holsinger, B . 2009. Of Pigs and Parchment: Medieval Studies and the Coming of the Animal. PMLA 124 (2): 616–623.
Holsinger, B . forthcoming. The Ethics of Parchment: A Statement of More than Modest Concern. New Medieval Literatures 12.
Kay, S . 2004. Flayed Skin as objet a: Representation and Materiality in Guillaume de Deguileville's Pèlerinage de vie humaine. In Medieval Fabrication: Dress, Textiles, Cloth Work, and Other Cultural Imaginings, ed. E. Jane Burns, 193–205 and 249–251. New York: Palgrave Macmillan.
Kay, S . 2006. Original Skin: Flaying, Reading and Thinking in the Legend of Saint Bartholomew and Other Works. Journal of Medieval and Early Modern Studies 36 (1): 35–74.
Leupin, A . 1993. Fiction et incarnation: Littérature et théologie au Moyen Age. Paris: Flammarion.
Lundblad, M . 2009. From Animal to Animality Studies. PMLA 124 (2): 498–502.
Mann, J, ed. and trans. 1987. Ysengrimus. Leiden, The Netherlands: Brill.
Noomen, W. and N. van de Boogaard, eds. 1986. Nouveau recueil complet des fabliaux, Vol. 3. Assen/Maastricht, The Netherlands: Van Gorcum.
Pépin, J . 1955. Saint Augustin et le symbolisme néoplatonicien de la vêture. Augustinus Magister: Congrès international Augustinien, Paris, 21–24 Septembre 1954, 293–306. Paris: Etudes Augustiniennes.
Scheidegger, J.R . 1989. Le Roman de Renart ou le texte de la dérision. Geneva, Switzerland: Droz.
Simpson, J.R . 1996. Animal Body, Literary Corpus: The Old French Roman de Renart. Amsterdam, The Netherlands: Rodopi.
Stinson, T.L . 2009. Knowledge of the Flesh: Using DNA Analysis to Unlock Bibliographical Secrets of Medieval Parchment. Papers of the Bibliographical Society of America 103 (4): 435–453.
Stinson, T.L . 2011. Counting Sheep: Potential Applications of DNA Analysis to the Study of Medieval Parchment Production. In Codicology and Paleography of the Digital Age II, eds. F. Fischer, C. Fritze and G. Vogeler, 191–207. Cologne, Germany: Institut für Dokumentologie und Editorik, Norstedt.
Ziolkowski, J.M . 1993. Medieval Latin Beast Poetry, 750–1150. Philadelphia, PA: University of Pennsylvania Press.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Kay, S. Legible skins: Animals and the ethics of medieval reading. Postmedieval 2, 13–32 (2011). https://doi.org/10.1057/pmed.2010.48
Published:
Issue Date:
DOI: https://doi.org/10.1057/pmed.2010.48